Vol. 22 No. 1 (2022)

DOI: https://doi.org/10.51349/veg.2022.1

Published: 2022-02-07

Full Issue

Volumen completo (Español (España))

Dossier

Digital History: projects, methods and perspectives

Lidia Bocanegra Barbecho, Maurizio Toscano

9-16
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Digital History: A Field in Search of Identity

Anaclet Pons

17-37
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Historical Interpretation and Digital Objects: Considerations based on Concrete Examples

Nicolás Quiroga

39-55
- PDF (Español (España))
The Peninsular War and Digital History: Two Projects at the University of Alicante

Rafael Zurita-Aldeguer

57-78
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An Informational Challenge: HISMEDI, Spanish Transition and Multimedia History

Raúl Magallón Rosa

79-91
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Digital Cartography of a Folk Music Collection: «Alan Lomax’s journey across Spain (1952-53)»

Ascensión Mazuela-Anguita

93-111
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The Implementation of Digital Techniques for Archaeological Documentation in the Roman Villa of Salar (Granada)

Ángela Rosa Henestrosa, Julio M. Román Punzón, Manuel Moreno Alcaide, Pablo Ruiz Montes

113-136
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Digital History and the Question of Palestine: Developing Tools to Fight Memoricide

Diego Checa Hidalgo, José Carvajal Martínez, Belén Habboob Martos

137-156
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Digital photographic studies of the Álbum Pintoresco de Canarias of Domingo Bello y Espinosa

Begoña Pérez-Salvatierra Saavedra, Elisa María Díaz González

157-175
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Studies

Controlling Canarian Public Opinion (1914-1918): Propaganda and Foreign Diplomacy

Marta García Cabrera

179-198
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The Process of Inventory and Cataloging of the Archaeological Past in Tenerife

Gisela de la Guardia Montesdeoca

199-215
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The Ensenada Cadastre, a Geohistorical Source for the Study of the Territory of a Castilian Town in the 18th Century

Ricardo Hernández García, Julio Fernández Portela

217-238
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Sarapis and the Roman Emperors in the Light of Numismatics

Verónica Reyes Barrios, Rosa María Sierra del Molino

239-262
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El Tarajal Sugar Factory (Malaga), Work of the Architect Manuel Rivera Vera

Francisco José Rodríguez Marín

263-287
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The Capstones of Roof Ornaments of Canary Buildings 1896-1930: Treatment and Implementation by Architects

José Antonio Sabina González

289-323
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From the Drip-Paintings of Jackson Pollock to the Open Form of Earle Brown: Methodological Interconnections in the Years of the New York School

Íñigo Sarriugarte Gómez
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Reviews

Reviews

José Antonio Abreu Colombri, Sara Barrios Díaz, Ramón Faustino Díaz Hernández, Roberto J. González Zalacain, Sergio Hernández Suárez, Óscar López Acón, José Domingo Portero Lameiro, Manuel Ramírez-Sánchez, Aarón Suárez Pérez

349-382
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