La pintura española de los siglos XVI y XVII en la producción impresa del Setecientos. Los grabados del MISAL de Antonio de Sancha (1780)
Abstract
En este artículo estudiamos siete grabados que ilustran un Misal editado en Madrid por el célebre impresor Antonio de Sancha (1780), perteneciente a la iglesia parroquial de Santiago Apóstol, de Realejo Alto (Tenerife). Estas obras fueron realizadas por el destacado grabador y pintor Juan Bernabé Palomino, y reproducen pinturas religiosas debidas a Juan de Juanes, Velázquez, Murillo y otros maestros de la pintura barroca española. Estos grabados constituyen una valiosa muestra de la alta calidad y dominio logrados por Palomino en sus trabajos.
In this article we study seven engravings which illustrate a Mass book published by the famous printer Antonio de Sancha in Madrid (1780), a book that belongs to the Parish Church of Santiago Apóstol, in Realejo Alto (Tenerife). These works were carried out by the outstanding engraver and painter Juan Bernabé Palomino, and they represent religious paintings by Juan de Juanes, Velázquez, Murillo and other masters of Spanish baroque painting. These engravings are a valuable example of the high quality and mastery achieved by Palomino in his works.
Downloads
Downloads
Issue
Section
License
The articles are open access distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) Spain 4.0 license. Authors who publish in this journal agree with the following terms:
a) Authors retain the copyright and guarantee the journal the right to be the first publication of the work as well as licensed under a Creative Commons Attribution License that allows others to share the work with a recognition of the authorship of the work and the Initial publication in this magazine.
b) Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, place it in an institutional repository or publish it in a book), with recognition of its initial publication in this magazine.
c) Authors are allowed and encouraged to disseminate their work electronically (for example, in institutional repositories or on their own website) before and during the submission process, as it may result in productive exchanges, as well as a earliest and largest citation of published works (See The Effect of Open Access).
